由理查德·萊斯特導(dǎo)演執(zhí)導(dǎo)的《坐臥兩用室》，自1969年上映以來獲得不錯(cuò)的口碑，是由麗塔·塔欣厄姆,拉爾夫·理查德森,彼得·庫克等主演的一部不錯(cuò)的英語喜劇片。

喜劇片《坐臥兩用室》在英國(guó)發(fā)行，私人影院收集了《坐臥兩用室》pc網(wǎng)頁端在線觀看、手機(jī)mp4免費(fèi)觀看、高清云播放等資源，如果你有更好更快的資源請(qǐng)聯(lián)系私人影院【點(diǎn)擊留言反饋】。

這是Richard Lester最好的一個(gè)片。　　An absurdist classic　　This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.

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